Solo scale breakdown

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Metallica

Left-handed diagramsDiagram tuning: Standard1 solo
About this recording

Ride the Lightning · 1984 · Original album studio recording

Playing level: advanced · Theory level: beginner

Work on the closing solo by itself. Use B minor as a listening guide and listen for the places where the fast lines come to rest.

The scales at a glance

Compare the notes

Learn these shapes, then see how they help explain each solo below. Some are extra ideas for your own practice.

Scale notes, intervals and teaching roles
ScaleNotesIntervalsUse in this study
B Minor PentatonicB · D · E · F♯ · A1 · ♭3 · 4 · 5 · ♭7Listening guide
B Natural MinorB · C♯ · D · E · F♯ · G · A1 · 2 · ♭3 · 4 · 5 · ♭6 · ♭7Listening guide

Solo breakdown

Main solo

Guitar: Kirk Hammett

Where is this solo?

The extended lead over the closing fast section. The quiet opening melody and earlier lead fills are separate.

B Minor Pentatonic

Listening guide

B minor pentatonic is a smaller listening guide for the closing lead.

B · D · E · F♯ · A

◎ Outlined dots = B, the home note.

Standard tuning (teaching setup) · frets 7–10 · high string 1 at top · toward nut →

B Minor Pentatonic; left-handed, high string at top, toward nut right78910123456BDF♯ADEABEF♯BD

These dots show where the scale notes are. They do not show the order of the solo.

Read the note positions
  • String 1, fret 7: B, interval 1, root
  • String 1, fret 10: D, interval ♭3
  • String 2, fret 7: F♯, interval 5
  • String 2, fret 10: A, interval ♭7
  • String 3, fret 7: D, interval ♭3
  • String 3, fret 9: E, interval 4
  • String 4, fret 7: A, interval ♭7
  • String 4, fret 9: B, interval 1, root
  • String 5, fret 7: E, interval 4
  • String 5, fret 9: F♯, interval 5
  • String 6, fret 7: B, interval 1, root
  • String 6, fret 10: D, interval ♭3

More about these scales

B Minor Pentatonic Listening guide

B minor pentatonic is a smaller listening guide for the closing lead.

B · D · E · F♯ · A

B Natural Minor Listening guide

B natural minor adds C♯ and G. Compare those notes in the connecting runs without applying this label to the opening solo.

B · C♯ · D · E · F♯ · G · A

How the chords shape the solo

Chords and note choices

Listen for the landing note

Listening idea A solo can use different note choices from an earlier melody in the same song. Keep the closing section’s home note and chord changes in mind. Find B, D and F♯ before adding the rest of the map.

Technique tips

Technique and phrasing

  • alternate picking: Alternate picking means taking turns with downstrokes and upstrokes. Use a small movement and keep each note clear before increasing speed. Practice suggestion
Practice ideas

Try the ideas yourself

Original practice suggestions; these are not the recorded solo.

  1. Try this slowly

    Choose four notes from one string pair. Play them as two slow groups with a gap between. End the second group on B and keep that ending longer than the other notes.

    Check: You can keep a steady pulse and hear the final note clearly.

A simple practice plan

Put the study into practice

  1. Listen to the chosen solo and identify its beginning and ending.
  2. Find the root notes: the notes the scale is named after. Say their names, then play them.
  3. Add one new note, or aim for a note from the chord. Make a short phrase of your own.
  4. Listen to the solo again. Can you hear where the phrase comes to rest?

Open the practice room · Explore the fretboard

Updated 2026-11-10

This analysis may contain errors or inaccuracies.