Solo scale breakdown

Reelin' in the Years

Steely Dan

Left-handed diagramsDiagram tuning: Standard1 solo
About this recording

Can’t Buy a Thrill · 1972 · Original album studio recording

Playing level: expert · Theory level: beginner

Start with the brighter A major pentatonic map. Keep the opening lead separate from the later harmony parts.

The scales at a glance

Compare the notes

Learn these shapes, then see how they help explain each solo below. Some are extra ideas for your own practice.

Scale notes, intervals and teaching roles
ScaleNotesIntervalsUse in this study
A Major PentatonicA · B · C♯ · E · F♯1 · 2 · 3 · 5 · 6Listening guide
A Minor PentatonicA · C · D · E · G1 · ♭3 · 4 · 5 · ♭7Practice idea

Solo breakdown

Main solo

Guitar: Elliott Randall

Where is this solo?

Elliott Randall’s opening studio guitar lead before the first vocal. The later lead breaks and harmonies are separate.

A Major Pentatonic

Listening guide

A major pentatonic is the five-note map identified for Randall’s opening lead.

A · B · C♯ · E · F♯

◎ Outlined dots = A, the home note.

Standard tuning (teaching setup) · frets 5–9 · high string 1 at top · toward nut →

A Major Pentatonic; left-handed, high string at top, toward nut right56789123456ABC♯EF♯C♯EABEF♯ABC♯

These dots show where the scale notes are. They do not show the order of the solo.

Read the note positions
  • String 1, fret 5: A, interval 1, root
  • String 1, fret 7: B, interval 2
  • String 1, fret 9: C♯, interval 3
  • String 2, fret 5: E, interval 5
  • String 2, fret 7: F♯, interval 6
  • String 3, fret 6: C♯, interval 3
  • String 3, fret 9: E, interval 5
  • String 4, fret 7: A, interval 1, root
  • String 4, fret 9: B, interval 2
  • String 5, fret 7: E, interval 5
  • String 5, fret 9: F♯, interval 6
  • String 6, fret 5: A, interval 1, root
  • String 6, fret 7: B, interval 2
  • String 6, fret 9: C♯, interval 3

More about these scales

A Major Pentatonic Listening guide

A major pentatonic is the five-note map identified for Randall’s opening lead.

A · B · C♯ · E · F♯

A Minor Pentatonic Practice idea

Compare A minor pentatonic using the same home note. This is an ear exercise, not a claim that the whole opening solo switches to this scale.

A · C · D · E · G

How the chords shape the solo

Chords and note choices

Listen for the landing note

Listening idea A, C♯ and E belong to A major. Those notes give a major-pentatonic phrase its clear major sound. Do not infer the opening solo’s whole note set from a later harmony-guitar part.

Technique tips

Technique and phrasing

  • slides: A slide joins notes by moving a fretting finger along the string. Pick the destination first, then slide into it and stop cleanly. Practice suggestion
Practice ideas

Try the ideas yourself

Original practice suggestions; these are not the recorded solo.

  1. Try this slowly

    Make a short A major pentatonic phrase ending on C♯. Repeat it ending on A. Keep the rhythm unchanged and listen to which ending sounds more settled.

    Check: You can keep a steady pulse and hear the final note clearly.

A simple practice plan

Put the study into practice

  1. Listen to the chosen solo and identify its beginning and ending.
  2. Find the root notes: the notes the scale is named after. Say their names, then play them.
  3. Add one new note, or aim for a note from the chord. Make a short phrase of your own.
  4. Listen to the solo again. Can you hear where the phrase comes to rest?

Open the practice room · Explore the fretboard

Updated 2026-11-10

This analysis may contain errors or inaccuracies.