Solo scale breakdown

Sweet Child O' Mine

Guns N' Roses

Left-handed diagramsDiagram tuning: E-flat standard1 solo

Tune each string down half a step: E♭ · A♭ · D♭ · G♭ · B♭ · E♭, from thickest to thinnest. These fret positions sound different in standard tuning.

About this recording

Appetite for Destruction · 1987 · Universal Music Group album-track upload dated 2018-06-21; provider metadata lists original release 1987-07-21.

Playing level: advanced · Theory level: beginner

Start with the minor pentatonic shape at fret 12. In E-flat tuning its home note sounds E♭, even though guitarists often call it an E minor shape.

The scales at a glance

Compare the notes

Learn these shapes, then see how they help explain each solo below. Some are extra ideas for your own practice.

Scale notes, intervals and teaching roles
ScaleNotesIntervalsUse in this study
E♭ Minor PentatonicE♭ · G♭ · A♭ · B♭ · D♭1 · ♭3 · 4 · 5 · ♭7Listening guide
E♭ Natural MinorE♭ · F · G♭ · A♭ · B♭ · C♭ · D♭1 · 2 · ♭3 · 4 · 5 · ♭6 · ♭7Listening guide
E♭ Harmonic MinorE♭ · F · G♭ · A♭ · B♭ · C♭ · D1 · 2 · ♭3 · 4 · 5 · ♭6 · 7Listening guide

Solo breakdown

Main solo

Guitar: Slash

Where is this solo?

The extended solo in the later E-minor-shaped section, including the wah-led climb and pentatonic ending. The opening riff and earlier short solos are separate.

E♭ Minor Pentatonic

Listening guide

E♭ minor pentatonic is the sounding-note map for the E-minor-shaped pentatonic material at the end of this section.

E♭ · G♭ · A♭ · B♭ · D♭

◎ Outlined dots = E♭, the home note.

E-flat standard tuning (teaching setup) · frets 12–15 · high string 1 at top · toward nut →

E♭ Minor Pentatonic; left-handed, high string at top, toward nut right12131415123456E♭G♭B♭D♭G♭A♭D♭E♭A♭B♭E♭G♭

These dots show where the scale notes are. They do not show the order of the solo.

Read the note positions
  • String 1, fret 12: E♭, interval 1, root
  • String 1, fret 15: G♭, interval ♭3
  • String 2, fret 12: B♭, interval 5
  • String 2, fret 15: D♭, interval ♭7
  • String 3, fret 12: G♭, interval ♭3
  • String 3, fret 14: A♭, interval 4
  • String 4, fret 12: D♭, interval ♭7
  • String 4, fret 14: E♭, interval 1, root
  • String 5, fret 12: A♭, interval 4
  • String 5, fret 14: B♭, interval 5
  • String 6, fret 12: E♭, interval 1, root
  • String 6, fret 15: G♭, interval ♭3

More about these scales

E♭ Minor Pentatonic Listening guide

E♭ minor pentatonic is the sounding-note map for the E-minor-shaped pentatonic material at the end of this section.

E♭ · G♭ · A♭ · B♭ · D♭

E♭ Natural Minor Listening guide

E♭ natural minor adds F and C♭. C♭ is the same fret as B. This is the sounding version of the E minor scale used in standard-tuning demonstrations.

E♭ · F · G♭ · A♭ · B♭ · C♭ · D♭

E♭ Harmonic Minor Listening guide

E♭ harmonic minor replaces D♭ with D. Compare the stronger pull into E♭ in the climbing passage.

E♭ · F · G♭ · A♭ · B♭ · C♭ · D

How the chords shape the solo

Chords and note choices

Listen for the landing note

Listening idea The guitar is tuned down half a step. Desi Serna’s lesson demonstrates the part in standard tuning, so its written E minor sounds a half step above the record. Here the shapes stay in the same fret area and the note names match E-flat tuning.

Technique tips

Technique and phrasing

  • bending: A bend raises a note by pushing the string across the fretboard. Play the target note first, then bend a lower note until it matches. Practice suggestion
Practice ideas

Try the ideas yourself

Original practice suggestions; these are not the recorded solo.

  1. Try this slowly

    Find E♭ on string 6 at fret 12. In E♭ Minor Pentatonic, play D♭–E♭ and leave a pause. Then choose E♭ Harmonic Minor and play D–E♭. Hold the final E♭ each time.

    Check: You can keep a steady pulse and hear the final note clearly.

A simple practice plan

Put the study into practice

  1. Listen to the chosen solo and identify its beginning and ending.
  2. Find the root notes: the notes the scale is named after. Say their names, then play them.
  3. Add one new note, or aim for a note from the chord. Make a short phrase of your own.
  4. Listen to the solo again. Can you hear where the phrase comes to rest?

Open the practice room · Explore the fretboard

Updated 2026-11-10

This analysis may contain errors or inaccuracies.