Solo scale breakdown

Crossroads

Cream

Left-handed diagramsDiagram tuning: Standard1 solo
About this recording

Wheels of Fire · 1968 · Wheels of Fire live album performance

Playing level: advanced · Theory level: beginner

Compare the brighter major pentatonic sound with the rougher minor pentatonic sound. Keep A in view in both maps.

The scales at a glance

Compare the notes

Learn these shapes, then see how they help explain each solo below. Some are extra ideas for your own practice.

Scale notes, intervals and teaching roles
ScaleNotesIntervalsUse in this study
A Major PentatonicA · B · C♯ · E · F♯1 · 2 · 3 · 5 · 6Listening guide
A Minor PentatonicA · C · D · E · G1 · ♭3 · 4 · 5 · ♭7Listening guide

Solo breakdown

Main solo

Guitar: Eric Clapton

Where is this solo?

The first extended guitar solo in the live Crossroads recording on Wheels of Fire. The later solo is a separate break.

A Major Pentatonic

Listening guide

A major pentatonic is a useful map for the brighter opening ideas in the first solo.

A · B · C♯ · E · F♯

◎ Outlined dots = A, the home note.

Standard tuning (teaching setup) · frets 5–9 · high string 1 at top · toward nut →

A Major Pentatonic; left-handed, high string at top, toward nut right56789123456ABC♯EF♯C♯EABEF♯ABC♯

These dots show where the scale notes are. They do not show the order of the solo.

Read the note positions
  • String 1, fret 5: A, interval 1, root
  • String 1, fret 7: B, interval 2
  • String 1, fret 9: C♯, interval 3
  • String 2, fret 5: E, interval 5
  • String 2, fret 7: F♯, interval 6
  • String 3, fret 6: C♯, interval 3
  • String 3, fret 9: E, interval 5
  • String 4, fret 7: A, interval 1, root
  • String 4, fret 9: B, interval 2
  • String 5, fret 7: E, interval 5
  • String 5, fret 9: F♯, interval 6
  • String 6, fret 5: A, interval 1, root
  • String 6, fret 7: B, interval 2
  • String 6, fret 9: C♯, interval 3

More about these scales

A Major Pentatonic Listening guide

A major pentatonic is a useful map for the brighter opening ideas in the first solo.

A · B · C♯ · E · F♯

A Minor Pentatonic Listening guide

Compare A Minor Pentatonic with A Major Pentatonic. Listen to C beside C♯, and notice the other notes that change in the two lists.

A · C · D · E · G

How the chords shape the solo

Chords and note choices

Listen for the landing note

Listening idea A major and A minor pentatonic share A and E. The other notes differ. A blues solo can draw on both sounds over the changing chords.

Technique tips

Technique and phrasing

  • bending: A bend raises a note by pushing the string across the fretboard. Play the target note first, then bend a lower note until it matches. Practice suggestion
Practice ideas

Try the ideas yourself

Original practice suggestions; these are not the recorded solo.

  1. Try this slowly

    Choose A Major Pentatonic and play A, C♯ and E slowly. Then choose A Minor Pentatonic and play A, C and E at the same speed. Leave a pause between the two sounds.

    Check: You can keep a steady pulse and hear the final note clearly.

A simple practice plan

Put the study into practice

  1. Listen to the chosen solo and identify its beginning and ending.
  2. Find the root notes: the notes the scale is named after. Say their names, then play them.
  3. Add one new note, or aim for a note from the chord. Make a short phrase of your own.
  4. Listen to the solo again. Can you hear where the phrase comes to rest?

Open the practice room · Explore the fretboard

Updated 2026-11-10

This analysis may contain errors or inaccuracies.